Size 3.2 MB / 2.8 MB ANA-1000 is a 2 oscillatorsanalog synthesizer. This simple, but effective instrument plugin allows for a variety of sounds, ranging from heavy basses, screaming leads.

Most podcasters and info spreaders are quick to talk about the gear they recommend — me included — for getting great audio.

The Best Free EQ Plugins for Video Editing – VST, Audio Units Looking for a reliable and FREE EQ for video editing? There are loads of excellent options out there and we’ve rounded up a selection of some of the best on the market right now. FabFilter Pro-Q 3 ($179) The Pro-Q 3 by FabFilter is one of the best all-around EQs due to the.

We know all about the ATR2100 or other mics like the Shure SM58 because they get a lot of word of mouth, but even if you have great gear that’s only one part of the puzzle.

After you record your audio, you’ll need to edit and process it. /free-chord-progression-detection-vst.html. That’s what we’re talking about today:

Ooooooooooooh yeah.

You’re probably wondering why even the most prolific podcasters and audio content producers don’t really talk about plugins. Frankly… there’s no commission with free plugins.

My site is currently too young to have any real affiliate marketing yet, so I’m happy to talk about it!

Here’s the rundown:

Picture above (left) is the AIR Kill EQ which is a 3-band eq, and (right) the Channel Strip EQ which is a parametric eq.

3-band equalizers

You probably recognize the 3-band interface of the Air Kill EQ. It has the typical Low – Mid – High options that you’re used to seeing on a mixing board. When you turn up one of these knobs — also called pots which is short for potentiometer… the more you know — you increase that specific sound. When you turn the knob down it also turns down that sound… simple enough, right? With the 3-band EQ these groups of frequencies or bands are fixed, and cannot be spread out or focused unless they have a sweep which this 3-band EQ happens to have.

So if you want less low frequency in your sound you are able to lower it by turning down the low knob. If you want more clarity you are able to turn up the high knob. It’s very straight forward.

Parametric equalizers

You might be familiar with the layout of a parametric equalizer if you’ve ever played around in Garageband or other editing softwares. When using this type of EQ you are able to grab a specific point and drag it around the frequency spectrum. This allows you to select a specific frequency you want to manipulate. You can then either focus in on it, or broaden your selection by manipulating your Q — that’s a bit tough to understand in writing, so just play with it when you can. You’ll hear the difference. The Channel Strip plugin allows you to manipulate 4 different frequency points including a low frequency (LF), low mid frequency (LMF), high mid frequency (HMF), and a high frequency (HF) along with two filters.

More often than not, I will use a parametric equalizer because I love the visual representation and the extra precision.

Dyn3 Expander / Gate Pictured Above

Simplified, gates get rid of unwanted noise such as breathing, or spit smacks by clamping down — closing — when you aren’t speaking. The gate determines what is considered unwanted sound with the threshold. If the audio is quieter than the set threshold, the gate remains closed preventing any audio from passing.

This is the #1 tool I rely on for cleaning up audio when producing voiceover.

Garageband, Pro Tools, Logic Pro X, and many other softwares have this tool built in. Trust me, the gate is your friend.

For Further Learning: Audio Gates & Expanders Explained

Dyn3 Compressor / Limiter Picture Above

Compressors work to decrease your audio’s dynamic range. Why does that matter? When you’re producing audio for broadcast you want a smaller — compressed — amount of volume fluctuation, so that your listener doesn’t have to mess with their volume.

Have you ever watched a movie where all of the sudden the music comes in and you struggle to hear the dialogue? That’s a great example of too much dynamic range, and not enough compression. By keeping your audio in a tight pocket you enable your listener to hear your voice at all times whether you speak softly or are shouting.

Speaking of shouting, the compressor also helps prevent audio from reaching 0 dB and peaking. In this case, the threshold determines when to start compressing the audio. As soon as the volume is over the threshold the compressor applies its ratio. In the picture above, the ratio is 3.0:1. That means for every 3 decibels (dB) that the audio goes over the threshold, only 1 decibel will actually pass. Pretty neat, right!

For Further Learning: Compression 101: How to Use a Compressor (I apologize ahead of time… this dude’s like… really dry.)

Maxim Limiter Pictured Above

A limiter is essentially a compressor on steroids. As soon as the audio goes over the threshold it is boosted up to the ceiling or specific output that is set — that’s insanely reductive, but we’ll count it. This is used to tighten up your dynamics even more, and can really sound like crap if you overdo it. This is definitely a process that shows its price tag. Waves makes some amazing limiters, but the stock ones that come with most softwares can’t be pushed very hard without causing distortion. Note: Audacity calls their limiter a leveler.

For Further Learning: A Beginner’s Introduction to Limiters by Mo Volans – Mo is awesomely thorough in this article!

Normalize Pictured Above

You always need to normalize your audio as a final step. All it does — when the peak setting is selected — is maximize your volume based on the loudest point in your recording. Looking at the picture above, if you move the level to the left, you set the deciBels to a lower level. So if you were to set it -1 dB, then the loudest point in your audio will be -1 dB. It’s incredibly simple, but extremely powerful for adding that last little bit of polish to your audio.

These 5 plugins more than any others are the nuts and bolts of great voiceover and podcast audio. If you master them, you will deliver industry standard high quality audio every time. Plus, you will only get better with practice, and experience!

If you enjoyed this article or found it useful be sure to subscribe to our newsletter and receive 18 Royalty Free Music Tracks.Guitar rig 5 free vst.

In the meantime, drop me a comment below and share which plugins you use to knock your audio out of the park.

Till next time,

Cheers

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EQs are simple and powerful mixing tools. They come in all shapes and sizes, each with their own unique character, and purpose. In this guide, I’ll be walking you through 6 of the best EQ plugins on the market.

6. Elysia Niveau Filter (Free)

The way the Niveau Filter by Elysia functions is different than all the other EQs on this list. It works like a scale to change the proportions between high and low frequencies. Depending on the gain setting around the center frequency, the high frequencies are boosted, and the low frequencies are attenuated (or vice versa) at the same time.

When you turn the EQ gain knob to the right, you boost frequencies to the right of the center frequency, while cutting frequencies to the left of the center frequency. When you turn the EQ gain knob to the left, you boost frequencies to the left of the center frequency, while cutting frequencies to the right of the center frequency.

By default, you’re able to select a center frequency ranging from 26-2200 Hz. When you engage 10x mode, you’re able to choose a center frequency ranging from 260-22000 Hz. It should be noted that when you turn the center frequency knob all the way to the left, it provides a high pass filter, and when you turn it all the way to the right, it provides a low pass filter.

This EQ can be used as a creative tool if you automate its parameters, or it can be used as a simple solution to correct a slightly top/bottom heavy mix while mastering. The best part about this unique tool is that it’s free via Plugin Alliance’s website.

5. Soundtoys Sie-Q ($99)

The Sie-Q is modeled after the Siemens w295b which is a classic German EQ from the 60s. The w295b is a module from the Siemens Sitral console that features a discrete silicon transistor design. It used EQ “cassettes” that you could swap depending on the sound you were looking for. This EQ is no longer in production, and many of the remaining units have been disassembled for parts and converted into rack gear. Luckily, Soundtoys has captured the sound of this vintage EQ in an easy-to-use plugin.

Sie-Q’s Low control allows you to cut or boost frequencies with variable frequency responses at different gain levels. Its High control will enable you to cut or boost frequencies with variable frequency responses at different gain levels as well. The Mid controls allow you to target one of 6 center frequencies ranging from 500 Hz to 5600 Hz, and apply either a boost or cut of up to 8 dB.

The Sie-Q is unique because it has a drive knob that allows you to apply saturation to your output signal. This is meant to model how the original w295b would sound when driven harder, and it’s a perfect way to add some “grit” to your audio. This EQ is going to provide some serious color to your input signal.

Soundtoys offers a student discount that will allow you to pick up their products for much cheaper than retail price.

4. Dangerous BAX EQ ($249)

The Dangerous BAX EQ is one of my favorite EQs for adding extra air or attenuating bass while I’m mastering. It has a very natural sound, but also infuses my input signal with a little bit of flavor, even without boosting/cutting frequencies.

Best Free Podcasting Eq Vst Vocals

Similar to the Pro-Q 2, you’re able to EQ the left and right channel independent of one another, or EQ the mids and sides independent of one another. There’s a link button that allows you to link together the functions between both control strips. For example, with link engaged, boosting the output level of the left channel will also boost the output of the right channel.

Best Free Podcasting Eq Vst Plugin

The Dangerous BAX EQ allows you to apply a low cut, low shelf, high shelf, and high cut. It’s a straightforward EQ with minimum functionality and a tremendous sound.