Vox Ac30 Vst Free
- VOX 2ch Audio Driver for Windows v2.0.0 Release Note. The VOX 2ch USB-ASIO Driver allows certain VOX Products to be used as an ASIO compatible USB audio interface. With this driver, you can play and record audio with very low latency with an ASIO compatible application. – Based on ‘Standard ASIO 2.1’ – 2 Input, 2 Output – Sampling.
- The plugin has a great sound and I really love being able to control it just like a real Vox Continental. The only issue I have is that the first two drawbars and the last four drawbars use opposite number conventions in a MIDI controller (16 and 8, 0 = all the way out and 127 = all the way in; 4, IV, sine and saw, 0 = all the way in and 127 = all the way out).
Vox AC30
brilliant channel (10 files)
normal channel (12 files)
The AC30 (early 70s, bulldogs) was recorded with either a 1073 or a Gates STA Level as a preamp and converted with an Antelope Orion.
London City
ATKGuitarPreamp is a guitar preamp plugin, modelling the inverter input stage of a Vox AC30 followed by a JCM800 tone stack. This preamplifier features an analog modelling of a tube, giving a nice warm sound. It consists of an input gain to the AC30 inverter preamplifier, the 3 tone knobs of a JCM 800 stack, an output volume and a dry/wet knob.
Vox Ac30 Vst Free Plugin
50W (4 files)
100W (20 files)
The London City 100W has been modified for a larger and more transparent sound, the London City 50W is in original state. Both were combined with an Acoustic 4x12 Cabinet, preamped with a Gates STA Level and converted via Antelope Orion.
The impulse response files above were recorded in the big recording room at
STUDIO NORD BREMEN.
The microphones were placed on axis with a distance of approx 10inch (except »far« and »far amb«) and an abbreviation of the microphones name is part of the the file name.
RCA BX44, Neumann CMV3(big bottle) with M7 or M9 Capsule, Neumann U47-tube, Neumann U47-FET, Neumann U67, Neumann KM53, Neumann M49, Neumann KM184, Microtech Gefell M930, Audio Technica AT4033a, Sennheiser MD421, Sennheiser MD211(dynamic omni), Shure SM-57, Shure UnidyneII, MBO KA1000, Electrovoice RE-20.
Deconvolution was done with Voxengo Deconvolver.
The Vox guitar amplifier—and the AC30 model in particular—has played a storied role in popular music history. Before Marshall, Orange, Hiwatt, or any other beloved British amps hit the scene, Vox was there, defining in a very authentic sense the sound of the British Invasion.
Of course, Vox is still around today—and still vital. It’s been owned by Korg electronics since the early 1990s, with the manufacture of amps now taking place in China. But the sound is still there, and so is the AC30, along with many variations on the theme over the years.
Many thanks to Jim Elyea’s exhaustive tome “Vox Amplifiers: The JMI Years” (History For Hire Press) and the folks at North Coast Music in Cudahy, Wisc. for information that contributed to this article.
What makes an AC30 sound like an AC30?
To truly capture the character of an amp in precise terms, you can address it through the science of electronics, or the art of describing sound via sense. Here’s a little bit of both: Early AC30s were fitted with alnico magnet Celestion speakers. The tubes in a Vox consisted of EL84s in the output stage and 12AX7s in the pre-amp stage. As for the flavor, Vox amps have a very warm, creamy sound that compresses magically, and breaks up slightly, as you turn them higher in volume. If you zero in on any Beatles recordings from 1962 to early 1966, that’s the guitar amp sound you hear. How to hack wifi using terminal on mac. It’s a British aural mix of scones, marmalade and tea—with a good solid kick to it.
The AC30 Origins
The company that introduced Vox was known as Jennings Musical Instruments, or JMI, headquartered in Dartford (the hometown of Keith Richards, mates). Rewire vst free. British big band guitarist Dick Denney is credited as the godfather of the Vox AC30, along with engineer Derek Underdown. Denney began work on the earliest version (with a single speaker) in 1959. As Vox sought to compete with the sound and volume of bigger Fender amps, two speakers were utilized. Vox eventually hit the mark with an AC30 “Top Boost”—so named because it had separate controls (first on the back of the amp) that introduced an extra gain stage, bass and treble. It also had six inputs, two each for normal, brilliant or vibrato channels. Also popular: the AC30 'Super Twin' with a trapezoid-shaped head, its cabinet mounted on a trolley.
Through the 1960s, AC30s were made with both separate amp head and speaker cabinets (like the Super Twin), and also in a unified chassis, with the control panel mounted on the top—the standard configuration for AC30 amps today.
Vox and the Beatles
The Beatles started playing AC30s before they became famous. But they kept playing them as they hit it big, and as a result made the amp legendary. Here’s how:
Reg Clark, the manager of London’s Vox showroom, was visited by Beatles manager Brian Epstein in January 1963. As Elyea describes it, Epstein pulled up in a Rolls Royce and smooth-talked Clark into trading two new AC30s for the band’s two beat-up ones, even up. Clark secretly agreed, even though Vox owner Tom Jennings nixed the idea.
As a thank you, Epstein promised Clark that when the Fabs became big, they would always play Vox amps through their career. And the rest, indeed, is tube-amp history. And for Clark, not a bad trade-in: “It was the biggest promotional score ever, for absolutely free,” Elyea says.
The post-JMI Years
It’s a soap opera, amp fans. Around 1967, Vox (now owned by a company called Royston) lost both Dick Denney and Tom Jennings. It eventually foundered into bankruptcy, and in the years that followed, the company ownership went through more quick changes than a hand-me-down coat. The roll call includes Birch-Stolec Industries (1970) Dallas Arbiter (1973), and Rose Morris (1978).
The AC30 went through some design changes during that time, not necessarily for the better. Birch-Stolec started using printed circuit boards, a move reversed by Dallas Arbiter, but then restored by Rose Morris. The AC30 almost ceased production for good in the mid 1980s because of a shortage of good tubes. Instead, RM came out with a “Silver Jubilee” version in 1985 that trimmed back the gain in the preamp stage—a workaround for the cheap tubes available at the time.
The Korg Years: 1992 to present
Though Korg began its life as a Japanese builder of drum machines and keyboards it’s beyond doubt that their involvement with Vox saved the brand and made it more robust for the 21st Century. Today’s overseas-made AC30 models perform respectably—the AC30C2, for example, makes use of 12AX7 preamp tubes and use EL84 tubes, along with two 12' Celestion G12M Greenback speakers, or Celestion Alnico Blue Speakers. Vox also introduced a hand-wired version, AC30HW2X, around 2010 that’s earned solid reviews for its singing tone and versatility.
And who’s played through Vox amps over the years?
THE WHO
Most rock fans associate Pete Townshend with Marshall & Hiwatt amplifiers. But before that, Townshend and bassist John Entwistle entered into a Vox endorsement, and used the amps to propel their early studio and stage efforts. That is, until they started smashing them.
VIC FLICK
Though not as well known in America as other guitar heroes of the era, Vic Flick will forever remain in the hearts of Swinging '60s fans as the axe man who wrote and played the James Bond theme—through a Vox, it turns out.
BRIAN MAY
Vox Ac30 Vst Free Plugins
In Queen, May had a wall of them on stage. His signature model of the AC30, no longer made, has one volume knob on it—that’s it.
Vox Ac30 Vst Free Trial
PAUL WELLER
Roland juno 106 vst free. Through his career with the Jam, Weller never deviated from his trademark sound of a Rickenbacker guitar through an AC30—and live, a phalanx of them. As a tribute, the complete box set of Jam recordings (“Direction, Reaction, Creation”) features a cover photo of Ricks leaning up against a cream-colored Vox AC30.
THE EDGE
The Edge’s main guitar amp for years has been a 1964 AC30 in a 1970s cabinet, with early 1970s Vox amps as backups. He’s used the Vox on just about every U2 album.
Others players include: Matchbox 20, Tom Petty, Peter Buck, Jeff Tweedy, Noel Gallagher, Brad Paisley